A (Re-)Construction of the Wolfenbüttel Lute Tablature-Fragments

As announced, the commented playing edition to the Wolfenbüttel Lute Tablature (WolfT) was published with the Quarterly of the Lute Society of America in 2016. The article includes a short introduction to the fragments, based on the research that is layed out in the blog series at hand and which is forthcoming as a separate article with the Journal of the Lute Society of America, shortly.

The five surviving pieces are discussed individually and then given in French tablature notation for the five-course lute (i.e. with five staves), which represent the top five courses of a traditional six-course lute. Below the tablature is a polyphonic transcription, assuming a lute in nominal A tuning. Missing parts were reconstructed using parallel transmissions of the model songs and by ornamenting them in the style of the source. These bits are of course subjective to some degree, which is the reason for the parentheses in the title:

Marc Lewon: „A (Re-)Construction of the Wolfenbüttel Lute Tablature-Fragments“, in: Quarterly of the Lute Society of America, vol. 51, No. 1 (2016), pp. 12-25.

A (Re-)Construction of the Wolfenbüttel Lute Tablature Fragments (Quarterly of the LSA, 51-1)

Cover of the Quarterly of the Lute Society of America (Volume 51, No. 1, Spring 2016).

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One thought on “A (Re-)Construction of the Wolfenbüttel Lute Tablature-Fragments

  1. Pingback: The Earliest Source for the Lute: The Wolfenbüttel Lute Tablature | mlewon

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